In Chinese culture, tiger is an auspicious and sacred animal, avatar of one of the heavenly guardians. Its image is believed to have magical powers, capable of warding off evil from a home and blessing the family lasting peace. That is why so many Chinese households are used to hanging tiger pictures on the front walls of sitting rooms.
A boy plays ball in front of a wall
painted figures of tigers
Now, tigers have brought prosperity to one particular village, where more than two-thirds of the 320-odd households produce or trade paintings, all themed on tigers. The village is Wanggongzhuang, in Minquan County, Shangqu City, Henan Province.
Except for the very old and very young, all the villagers are able to draw or paint the great cat. Most families have their own studios, and some run as many as a dozen. It is not rare to see scores of people working at easels at the same time on the same spot.
A man draws a tiger picture.
The big cat has long been an element in the tradition of the heartland of the Central Plain, where Wanggongzhuang is located. The village is just 10 kilometers from the birthplace of Zhuang Zi (369-286 B.C.), a prominent philosopher of Taoism. The great thinker’s thoughts have been passed down through generations, and have become part of the local culture, inspiring a natural passion for the arts and letters.
The Wanggongzhuang tiger paintings are
done in the traditional gongbi style – a meticulous brushwork featuring fine
lines and realistic tones. They elaborate on details as fleeting as the hairs on
the striped skin, while conveying the kingly demeanor of the predator. Customers
can send their particular specifications along with their orders, and the
farmers can create them the way they see fit.
In addition to tiger paintings, the village has developed a variety of sideline tiger handicrafts, including embroidered tiger-patterned caps, shoes and pillows, which all find ready buyers.
In 2008, two young farmers from the village completed a 400-meter-long scroll depicting 2008 tigers – a Guinness Book of World Records contender. An art dealer offered 360,000 yuan for the work, but was turned down because it was a gift of the village to the Beijing Olympic Games.
Artists of Wanggongzhuang produce more than 20,000 paintings a year, worth some 10 million yuan. That puts the village above all neighbors financially. Many families make hundreds of thousands of yuan every year, a colossal amount for rural residents. Farmers of Wanggongzhuang are also market-sensitive and tech-savvy. Many villagers operate their own Web sites. Now, 20 percent of local works are sold through the net, and buyers are from as far away as the United States.
While enjoying unprecedented comfort and
prosperity, the people of Wanggongzhuang feel obliged to share the art with
fellow farmers in the region. They’ve established painting schools to offer free
courses to those in and out of the village. The fad of tiger painting has spread
to communities even dozens of kilometers away, turning the whole area into an
immense art workshop.
Delighted over changes in the village, one elder
commented: “Throughout history, we farmers have been bending over to plough the
field. Our hands were stained by mud. Now we have ink and paint on our fingers.”
With tiger numbers dwindling day by day, their image will perhaps best be
remembered in the works of Wanggongzhuang’s artists.
Hangzhou Jiaoyu Science and Technology Co.LTD.
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