The imperial palace, the official residence of the
emperor and his family, is the most vital architecture in ancient
China.
There were certain architectural features that were reserved solely
for buildings built for the Emperor of China.
One example is the use of yellow roof tiles;
yellow having been the Imperial color, yellow roof tiles still adorn most of the
buildings within the Forbidden City (gù gōng 故宫). The Temple of
Heaven (tiān tán 天坛), however, uses blue roof tiles to symbolize the
sky.
The roofs are almost invariably supported by
brackets (dòu gǒng 斗拱), a feature shared only with the largest of religious buildings. The wooden columns of the
buildings, as well as the surface of the walls, tend to be red in color. Black
is also a famous color often used in pagodas. They believe the gods are inspired
by the black color to descend on to the earth.
Zoomorphic decorations can be
found everywhere in the palace complex, even on the roofs. Dragons, phoenixes,
lions, elephants, and many mythical animals were used to display the
overwhelming imperial majesty or to ward off evil sprits. The Chinese
five-clawed dragon, adopted by the first Ming emperor for his personal use, was
used as decoration on the beams, pillars, and on the doors on Imperial
architecture. Curiously, the dragon was never used on roofs of imperial
buildings.
Numerology heavily influenced Imperial
Architecture, hence the use of nine in much of construction (nine being the
greatest single digit number) and reason why The Forbidden City in Beijing is
said to have 9,999.9 rooms - just short of the mythical 10,000 rooms in heaven.
The importance of the East (the direction of the rising sun) in orienting and
siting Imperial buildings is a form of solar worship found in many ancient
cultures, where the notion of Ruler is affiliated with the Sun.
The imperial palace complex in ancient China was
usually divided into two parts. The front part was for the emperor to meet his
ministers and talk about state affairs, while the rear was used for residential
purposes only. The main buildings were all built along a central south-north
axis, while auxiliary buildings stood symmetrically on each side. Row upon row
of courtyards and lines after lines palatial halls demonstrated regal
uniformity, solemnity and dignity.
Most of the palace buildings adopted large
sloping roofs. The roof was not only decorative, but also protective, as the
overhang with upturned corners ensured that rain water would flow along the roof
grooves and fall into places far from the wooden structures of the building.
Zoomorphic ornaments on the upturned roof corners were intend to add a sense of
mystery to the place, and moreover, served a practical purpose in fastening the
roof and keeping water out. The roofs were made of glazed golden tiles. Since
this color was a symbol of imperial power, it
could only be used by the imperial family.
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