When visiting an antique market in any city in China,
you might glimpse a plain paperweight made from bronze or wood in a rectangular
bar shape, known as Zhenzhi 镇纸 in ancient China. With an increasing interest in
outlandish ancient stationery, most Chinese collectors merely foray into such
hackneyed objects as pen holders, water pots and ink-slabs, overlooking the
unassuming Zhenzhi. Thousands of years ago in China, small-sized bronze
or jade artworks were feverishly pursued by scholars and men of letters. They
often put these exquisite artworks on their desks, adding a whiff of bookishness
to their study. Given the weight of these objects, the literati also use them to
hold paper or books, thus the name Zhenzhi, or paperweight. A wide assortment of materials can be made into
Zhenzhi, such as gold, bronze, jade, wood, bamboo, and stone. And to make it
more artistically precious, it is often carved with elaborate paintings and
poems written by famous scholars. The style of the sculpture on the Zhenzhi is
required to mesh with the manner of the writing. Therefore, only a perfect
co-operation between the writer and the sculptor could produce Zhenzhi of the
highest calibre. Zhenzhi, though modest in appearance, is strikingly
valuable, especially ones with long a history and of high quality. As one of the
most prominent examples, a Beijing Auction House received a stunning 1,050,000
yuan from the sale of a Zhenzhi from the Ming Dynasty (1368-1644) in 2004;
another Zhenchi from the late Ming Dynasty was sold at the price of 120,000 yuan
in the same year. And in 2006, a wooden Zhenzhi from the Qing Dynasty
(1644-1911), was valued at 30,000 yuan. Successive high-profile auctions in recent years have
sparked a stampede to collect the once negligible Chinese Zhenzhi. In comparison
with other high-brow antiques, Zhenzhi is relatively easy to collect and
reserve, paving the way for its further popularity.
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