The earliest literature work on the martial art or
chivalrous characters was Records of the Grand Historian, a masterpiece from
Sima Qian, the great historian in Western Han Dynasty. In the book, the sections
such as Biographies of Knights-errant and Biographies of Assassins recorded the
legendary characters including Jing Ke, Zhu Jia and Guo Jie in the form of
historical biography. It was not until the emergence of romantic novel in
Tang Dynasty when the literature of martial arts came into being. The characters
recorded in legends of Tang Dynasty were widespread in both government and the
public, such as those in The Bearded Warrior, Nie Yin Niang and The Kunlun
Slave. Besides the Tang legends, the Wushu-related contents
are also commonly seen in other styles, such as the poem A Song of
Dagger-Dancing to a Girl Pupil of Lady Gongsun by Du Fu in Tang Dynasty. The
“Legendary Weapons of China” is also frequently mentioned in Yuan drama, and the
martial art described in the famous classical novels Outlaws of the Marsh,
Romance of Three Kingdoms and Journey to the West should be familiar to the ears
of the readers.
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