The enamelware manufacturing craft is actually a complex process combining enamel process and metal process. It is prepared by first grinding quartz, silicon, feldspar, borax and some metal minerals into powder and then melting, and then applying on metal utensils to form a surface after baking. Sometimes polishing or gold-plating is needed. Enamelware which has the sturdiness of metal, the smoothness and corrosion-resistance of glass, is practical and beautiful. To date the earliest enamel object made in China is the Tang-dynasty gold-inlaid silver-base enamel mirror now kept in the Shosoin Repository of Nara, Japan. But no other enamelware was found in the three or four hundred years afterwards. In the late years of the Yuan Dynasty, Chinese enamelware became less influenced by Arabian culture and more and more nationalized.
Enamelware includes gold-inlay enamel, coating
enamel, painting enamel in terms of processing methods, and gold-base enamel,
copper-base enamel, porcelain-base enamel, glass-base enamel, purple-clay
enamel, etc. in terms of bases. Among them the copper-base enamel is the most
popular, because the copper price is relatively lower, and enamel is easier to
adhere to the copper surface. The distinguished traditional Chinese handicraft
Jingtailan (cloisonné enamel), its scientific name being copper background
wire-inlay enamel, got its name from being made in large quantities in Beijing
during the Jingtai Reign of the Ming Dynasty, and the enamel used was mostly of
a blue color. The procedure of Jingtailan includes chiefly base-making,
wire-inlaying, firing and soldering, blue enamel coating, enamel-baking,
polishing, and gold-plating. Coating is done by using small iron spade or glass
tube to apply glaze of different colors first on the background, then on the
designs and ten finally to apply the blue glaze and add some shiny white
substance. Glazing and baking procedure is done repeatedly, one blazing followed
by one baking, often three times are needed for quality cloisonné.
Promoted and propped up by the Qing government,
the enamel handicraft grew fast in the Qing Dynasty based on the achievements
attained during the Yuan and Ming dynasties. In the reign of Emperor Kangxi, and
enamel factory was set up in the court, making wire-inlay enamel and
base-engraving enamel at first, and then making painted enamel successfully on a
tentative basis. Painted enamel which often applies on small objects is heavy
and thick in color, similar to the mixed glaze in earlier time. Porcelain-base
enamel, also called enameled color porcelain, is to apply enamel paint on
porcelain base. It is a perfect combination of porcelain and painted enamel
craft. In the reign of Emperor Qianlong, painted enamel craft was booming. Aside
from the court, Guangzhou was the major place of painted enamel making. The
painted enamel works made in court featured neat design, meticulous painting,
and elevated style, using mostly bright yellow color that is rich in royal
flavor. Painted enamel works make in Guangzhou have bold and unstrained lines,
decorated with European-style roll-up leaves design using glaze material
imported from western countries that is gorgeous in color and sparkling in
luster. At that time, snuff bottles of diversified types meticulously produced
showed up. They were produced combining enamel, jade, agate, crystal, and
porcelain with calligraphic and drawing art. Even western subject matters such
as European women and babies, westerns styled pavilions and towers, etc. were
adopted for designs, which were rarely seen in previous dynasties.
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